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Why Jeff Bridges ‘actually didn’t take pleasure in’ his thong-like ‘Tron’ dance belt


Launched this month 40 years in the past, you possibly can see It marks a seismic second within the movie trade as one of many first Hollywood movies to make use of intensive computer-generated imagery. Stephen Liesberger’s groundbreaking sci-fi journey a couple of hacker (Jeff Bridges) who will get concerned in our on-line world wrestler fights was a modest success upon launch however grew to become a cult traditional in dwelling video, ultimately resulting in the 2010 sequel. Tron: Legacy.

However for Bridges, the very first thing he thinks of when he hears the phrase “tron” is…discomfort.

“Do you know what a dance belt is?” , we requested throughout 2014 position name Interview (see above with you possibly can see Beginning at 1:22) earlier than unleashing a trademark snort.

Bridges discovered the favored glowing, skin-hugging film to suit his character, Kevin Flynn, who she wore in a considerably restrained digital type, to say the least. Particularly within the central area.

“I don’t know how women wear those thongs,” he mentioned. “I definitely didn’t enjoy it. But every day she wore a dance belt, which made sitting really difficult.”

Troon, Jeff Bridges, 1982 (Everett Collection)

Jeff Bridges within the film Tron (Walt Disney / Courtesy of Everett Group)



Bridges, a visible artist recognized himself for his behind-the-scenes depiction of movie units, has appreciated how Liesberger and his firm reworked the movie trade as we all know it via a comparatively modest method to the medium.

Photographed in black and white 65mm, mounted on VistaVision (35mm common), and optically printed as much as 70mm.

or like massive lipowski The star defined in less complicated phrases: “The sets were black and white and we were all dressed in black and white. And so it was completely primitive. This duvetyn we see, these black things you see used in movies. That was basically the set, with white duct tape. And then All these Korean ladies were given to manually color each frame of the movie.

“I remember getting out of that phase in just sunlight and colours [makes explosion sound] Just rush inside. “

However as Kevin Flynn places it: “On the other side of the screen, it looks so easy.”


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